![]() In the past, researchers have suggested that men and women as well as left and right ears experience differing amounts of temporary hear loss, called temporary threshold shift (TTS). The purpose of the following study is to study experimentally the differences in the amount hearing decreases after listening to loud noise. The essay concludes that Alexievich's work can offer the writer insights into how language marshals emotion and creates a sense of urgency by paying attention to the formal properties of language as writers we might listen to our own words in much the same way as Alexievich receives the testimony of her witnesses. The traumatic nature of the events being recounted and the fact that the text reflects her witnesses' speech acts contribute to the linguistic peculiarities of Alexievich's work. It considers the nature of Alexievich's role as a writer in curating the testimonies, and the performative nature of testimony as influencing the language used by her witnesses. the realm of literature, such as metaphor, repetition, parataxis and parallelisms, can be seen in Alexievich's testimonies. It argues that certain rhetorical and formal devices that otherwise belong to. It argues that the documentary novels of Svetlana Alexievich demonstrate some of the aesthetic similarities between the language of literature and the language of testimony. This essay considers what Svetlana Alexievich's documentary novels, which are collages of witness testimony might have to teach us about writing. What is the significance of this pervasive way of talking? Read more As a term of art, witnessing outshines more colorless competitors such as viewing, listening or consuming, reading, interpreting, or decoding, for thinking about the experience of media. The media claim to provide testimonies for our inspection, thus making us witnesses of the way of the world. Ordinary people can be witnesses in media (the vox pop interview, ‘tell us how it happened’), of media (members of studio audience), and via media (watching history unfold at home in their armchairs). Cameras and microphones are often presented as substitute eyes and ears for audiences who can witness for themselves. personae such as correspondents and newsreaders can be institutionalized as witnesses. Such titles as Eyewitness News, See it Now, Live at Five, or As it Happens advertise their program’s privileged proximity to events. Media institutions have enthusiastically adopted its rhetoric, especially for nonfiction genres such as news, sports, and documentary. Now they are ready for his next push.Witnessing is a common but rarely examined term in both the professional performance and academic analysis of media events. He never confronted them because that would only lead to resistance. He did it by leading them, pushing some emotional buttons and then pausing to let them think. The audience is now listening more intently to Marc Antony and they are rethinking their original position about the validity of killing Caesar. There’s not a nobler man in Rome than Antony.įOURTH CITIZEN. Poor soul, his eyes are red as fire with weeping. If it be found so, some will dear abide it. Therefore ’tis certain he was not ambitious.įIRST CITIZEN. Mark’d ye his words? He would not take the crown I fear there will a worse come in his place.įOURTH CITIZEN. Methinks there is much reason in his sayings. My heart is in the coffin there with Caesar,Īnd I must pause till it come back to me.Īn emotional tug at their guilt and the setup for a pause on his part to allow the listeners to think and speak amongst themselves.įIRST CITIZEN. O judgement, thou art fled to brutish beasts,Īnd men have lost their reason. When that the poor have cried, Caesar hath wept Īmbition should be made of sterner stuff: Whose ransoms did the general coffers fill. He hath brought many captives home to Rome, And the claim about Brutus being a honorable man starts to rub listeners as untrue. It is effective because it anchors the crime of which Caesar was accused and executed for. He was my friend, faithful and just to me ![]() Praise your enemies and admit your faults to quiet the mob. Here, under leave of Brutus and the rest. Then he points out that Caesar has paid the price for that crime. He reminds them that the greatest crime according to the murderer of Caesar was that he was ambitions. This plants some doubt in the minds of the listeners, maybe even some guilt for already forgetting the good deeds. He starts to appeal to their thinking by suggesting that it is easy to forget about the good deeds and only remember the bad. The good is oft interred with their bones He addresses the listeners as equals just as many US presidents start their speeches with “fellow Americans.” And he puts them at ease by offering only to bury Caesar not praise him. I come to bury Caesar, not to praise him. Friends, Romans, countrymen, lend me your ears!
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![]() Thus, a less expensive and more portable solution is required, which would be capable of evaluating the response of participants to stimulation performed reliably by a therapist and of improving the understanding of their current needs. However, high cost is still the factor that significantly limits their use for daily care, especially outside hospitals. Researchers and physicians have proved that the use of PET and especially fMRI is eventually inevitable in the clinical examination of patients with disorders of consciousness due to their accuracy and usability. Some works also identify the need for cheap and wide-applicable solutions for the estimation of the state of patients suffering from ABI. Although positron emission tomography (PET) and functional magnetic resonance imaging fMRI are also employed for medical diagnostics, they are not standard medical procedures, because of their high cost, thus they are more often used for research purposes. Over the last two decades, computed tomography (CT) and magnetic resonance imaging (MRI) scans have become standard medical practice, and they are widely used for many aspects of modern medicine, like for example detection of tumors or identification of sites of injury from impact. Another example of an EEG-based technique is a mismatch negativity (MMN) approach. ![]() They also may involve using external stimuli such as auditory signals. ![]() EEG-based techniques often apply measurement and analysis of event-related potentials (ERP). Many of them involve some use of EEG signal measurement, however, techniques such as transcranial stimulation, deep brain stimulation are also possible, and they were described in the literature. The current literature indicates several common ways to assess consciousness in people suffering from acquired brain injuries ABI. Typical procedures concerning participants with TBI and other disorders include examination employing one of the various imaging techniques. All the groups of disorders mentioned could collectively be called acquired brain injuries (ABI). Unfortunately, both communication and assessment of the progress made in the course of care by participants with disorders such as TBI, sudden cardiac arrest (SCA), and hypoxia may pose a real challenge to a therapist. An efficient tool for communicating with such patients and for evaluating their communication abilities is needed. The incidence rate of traumatic brain injuries (TBI) in Europe in 2006 was reported as 235 cases per 100,000 people per year. The Creative Commons Public Domain Dedication waiver ( ) applies to the data made available in this article, unless otherwise stated in a credit line to the data. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. ![]() Open AccessThis article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. ![]() ![]() ![]() Generally speaking, the difference is one of "static position" (with the dative), "change of position" (with the accusative). You thought that you have figured out now whether to use the accusative or dative form of the pronouns?īut I have bad news: There are also a number of common German prepositions that take either the dative or the accusative case. Gehst du heute zu ihr? (Are you going to her place today?) Dual Prepositions Ich habe heute einen Brief von ihm bekommen. (I like going to movies with you.)īitte, nach Ihnen. Sie wohnt jetzt bei mir (She now lives with me /at my place.) Some German prepositions always take the dative case. Here we have Accusative and Dative forms mixed up and you'll also have to choose again between the familiar and formal forms. If you have navigated the previous two games successfully, the Practice Pronouns Game will be your next challenge. (We're looking for her /them.)ĭu rufst mich nie an. (I'm looking for her /them.)Įr sucht euch. Kenne ich Sie nicht? (Don't I know you? ) You'll then put together basic sentences using these pronouns and verbs that take a direct object. In the Accusative Pronouns Game, you first review the accusative pronouns. (They want to show you-all the apartment.) The Accusative Pronouns Game (She shows them the newspaper.)Įr zeigt dir den Stadplan. Warum gibst du mir das Buch? (Why are you giving me the book?) Kann ich Ihnen meine Handynummer geben? (Can I give you my cell number? ) To ace the Dative Game, you may want to play it a couple of times. You'll then put basic sentences together. In the Dative Pronouns Game, you'll first review the dative pronouns and some vocabulary. One for Dative pronouns, one for Accusative pronouns, and a third one where you choose between Dative and Accusative. To help you make these forms intuitive, we've put together some games. phone) clearly take a direct object (i.e. The verbs "sehen" (to see), "kennen" (to know, be acquainted with), "suchen" (to look for), and "anrufen" (to call, i.e. It's pretty clear that one gives "something" (direct object /accusative case), "to someone" (indirect object /dative case).Īnd, that one shows "something" (direct object /accusative case), "to someone" (indirect object /dative case). The verbs "geben" (to give) and "zeigen" (to show) are very useful for learning dative pronoun forms. A good way to do that is by practicing some simple sentences that will help you to get the words and the sounds into your brain. Start by becoming familiar with the forms. So, how to navigate this grammatical jungle? The two exceptions are "uns" (us / to us) and "euch" (you-all / to you-all). However, German has different forms for the dative (indirect) and the accusative (direct) pronouns. In English, the pronouns for the indirect object (dative) and the direct object (accusative) are the same: me, you, him, her, us, them. The "dative" forms, also known as "indirect objects" are nouns or pronouns that tell you for whom or to whom an action is done. Here you can start with the German dative pronouns. But there's a way to tackle the dative and accusative forms step by step. Posted on Jby Ulrike Rettig German Dative and Accusative Pronouns With Easy Gamesĭo the German Accusative pronouns and Dative pronouns give you a little headache from time to time? Do you automatically know when to use use the dative or accusative form? ![]() CAIN MODERN AUCTIONS SHALL HAVE NO RESPONSIBILITY FOR ANY ERROR OR OMISSION. ANY CONDITION STATEMENT IS GIVEN AS A COURTESY TO A CLIENT, IS ONLY AN OPINION AND SHOULD NOT BE TREATED AS A STATEMENT OF FACT. Get free shipping on qualified Wall Mirrors products or Buy Online Pick Up in Store today in the Home. We can only offer our opinion and the material facts about the item and its condition. Large Arched Gold Classic Accent Mirror (39 in. The auction house does not warrant authenticity on any specific piece. Pottery Barn Eagan Large Multipanel Wall Mirror 44 X 55 from Estate Sales By Jesod LLC up for Sale at Auction Ninja Item number: 5332, Winning Bid 321.00. Measurements: 54 inches wide x 44 inches high x 1 inch thick All items are sold as is. Crafted with a bronze or silver finish, our Eagan Multipanel Large Mirror adds a clean graphic element to the room. Shop Target for multi panel mirror you will love at great low prices. ![]() We cut the bottom and top pieces to 39 inches and the sides to 48 inches. Small florets where the framework intersects add stylish accents. Place it over a console in an entry or a buffet in a dining area for sparkle and style. Choose from Same Day Delivery, Drive Up or Order Pickup plus free shipping on orders. Now that you have your plywood cut you can cut your pine board framing down to size. VAT Extra large stylish & functional triple door mirror cabinet, 3 colour options: Grey Elm. Eagan Large Multipanel Wall Mirror - 44 x 55. If you have a bigger or smaller mirror just add an additional 3 inches per mirror size for your plywood cut. Choose from Same Day Delivery, Drive Up or Order Pickup plus free shipping on orders.īeautiful multipanel mirror with beveled edges and a wooden frame, in excellent condition. This is 1 and 1/2 inches on each side of the mirror for the pine board framing. Second, drill a hole and install the expansion screw. ![]() ![]() No clue what's the % of textures scaled, the game is really big and also slow to navigate around I checked snow, deserts, mountains, grasslands and port map types, don't remember how many others it had, but machine translation looked best on things like ground or wall textures and would like to someday try it on all of those textures. The main campaign and DLC squadmates section are in english but I wanted to view the info in squad barracks and the extra missions for Imca and Riela in english. If someone wants font only patch without the AI stuff, I shared it long ago in the game's thread in here. Valkyria Chronicled 3 english patch extra missions I wanted to know if there's an english translation for the ones offered in the extra missions part since all of them are japanese. ![]() Also I did tried to upscale all actual "maps"(the ones where scenes can be selected), but gave up on extra story maps as there are just too many of them and takes ages to enter-leave-repeat to dump all of their textures c. Installation will not work for the buggy english patch nor spanish patch as they messed up param.sfo, it will however mostly work on unpatched japanese extra edition version of the game, some UI text will not be replaced through.Īdditionally you can use my enhancement patches from this post.ĭumped textures only from few different maps so might not have all environments, I forgot how many there are in this game p. Run the game patched by the above fan translation, then close it and drag and drop or open zip to/from PPSSPP, it'll ask if you want to install so just confirm. fan translation patch it was made for (not the buggy one which most people uses). Final Fantasy Reishiki (type-0) is an action RPG game published by Square. Also even with it mostly being machine translation it was still a few hours of work and some manual corrections which could help someone else.įun fact, first thing I tried to scale up was the "clock" showing turns left and my first impression was "horrible" as it couldn't even made a nice circle shape, but then I tried it in game and actually liked how it looked.Īlso a bunch of the textures here could be replaced by much nicer looking VC4 textures, but I don't want to share any potentially copyrighted stuff from different game released on modern platforms. Link download Valkyria Chronicles 3 Extra Edition Patch English. Sharing in this state mostly because I might forget about it in the near future, just completed VC4 to 100% and that's pretty much the only reason why I checked VC3 again. Some textures actually look great, some so-so at best, others are horrible or have problems like seams or glowing borders and need to be manually corrected or removed. Just my intial font replacement mixed with lazy machine upscaling. ![]() Sum(length(message.text)) AS character_count, To see some interesting information about messages between you and another person: To see the total count of messages across all of your chats:Ĭount(chat.chat_identifier) AS message_count To find a message that matches some text: JOIN message ON chat_message_ssage_id = message. To see all of your messages with a nicely formatted date:ĭatetime (message.date / 1000000000 + strftime ("%s", ""), "unixepoch", "localtime") AS message_date, With these, we can build some pretty cool queries. There are also join tables, which show the relationships between tables (handles to chats, chats to messages, messages to attachments, etc.). message – all messages sent and received.chat – a collection of your messages (both direct and group).attachment – metadata and storage location.When you open the database, you should see about fifteen tables. If you’re having trouble navigating to it, you can press CMD+SHIFT+G in a finder window and type that in the dropdown. In a SQL client, connect to the database at ~/Library/Messages/chat.db.In a terminal, run sqlite3 ~/Library/Messages/chat.db.Otherwise, you should be able to access the message database: That should be it! You’ll need to restart any applications that were open while you granted them access. Make sure your SQL client and/or terminal are selected. Open System Preferences, find the “Security & Privacy” pane, click on the “Privacy” tab, and find the “Full Disk Access” item. Let’s get that out of the way right away. Even so, it’s actually quite easy to get access to the database, as long as you don’t mind granting full disk access to some applications. I’m doing this on macOS Catalina, which has added some additional security features (i.e., restrictions). Similarly, if you try and open the database in a SQL client, you’ll likely see an error. If you open a terminal and run ls ~/Library/Messages/chat.db, you’ll get a message like: ls: Messages: Operation not permitted. The database is located at ~/Library/Messages/chat.db. However, your mileage may vary depending on whether you are using a SQL client (I use TablePlus) or sqlite3 on the command line. There aren’t any prerequisites to getting started (other than a Mac with iMessage). ![]() With a little setup, you can use SQL’s raw power to look through your old messages. If you use iMessage on your Mac, you can access the SQLite database where all of your messages are stored. iOS 13 helped with this quite a lot (while still leaving something to be desired), but searching on your computer is basically worthless.įortunately, there is a relatively easy fix for this. What frustrates me is the inability to efficiently search through old messages. I love being able to send messages from my computer, and the integration between the two devices is seamless. It’s also one of my least favorite things. ![]() IMessage is one of my favorite things about having an iPhone and a Mac. ![]() Preview archives before performing any action.Password protect and encrypt sensitive files.All major common and uncommon file formats supported.Easy to use interface gels very well with your Mac.It’s a fast, simple, and snazzy unarchiver app for Mac. ![]() Archiver 3Īrchiver 3 is feature-packed zip and unzip application for Mac with the help of which you can compress files, combine and split them, and open archives with the utmost ease. AES 256 military-grade password protectionĭownload Entropy From Eigenlogik 7.Select which all files and which all files to not extract.Manual and automatic modes of extraction.It supports OS X-specific technologies like resource folks, extended file attributes, and it’s also capable of reading and writing archives directly. View, add, and delete 7Zip, RAR, TarGz, and several other file formats without even extracting themĮntropy is one of the best archivers and unarchivers for Mac.Works brilliantly with cloud storage mediums and MTP devices.Customizable hotkeys and built-in file viewer.it can therefore be used as a Finder alternative Doubles up as a convenient file manager for your Mac.Easily extract or compress zipped archives.a utility that will help you archive files. Now that you have some tools up your sleeve to unpack or unarchive various file types, let’s get into an archiving utility that’ll help you if you are on the other side of the fence i.e. Even unarchives password-protected archives.High precision level when handling and detecting filename encoding in the archive that it unzips (gibberish file names are a child’s play for this unarchiver utility).Unarchives files in a matter of seconds.It can open all new and old formats such as RAR, Zip, ISO, Tar, 7-zip, Stuffit, LZH, DiskDoubler, and a lot more.And, the best part, it works like a champ on macOS Big Sur as well. It is one of the highest-rated unarchiver applications for Mac that can unarchive almost any file under the sun. The name of the software speaks for itself. You can even place these presets on the Finder window Additionally, these preset work great with productivity/ automation apps. 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![]() The reason I wanted to point this out is since they are all robots, they can all be healed by a surveyor (flying repair bots from fucking hell that are impossible to hit). ![]() Shielded enemies will still be weak to shock. Bandits, Spiderants and Skags will still be weak to fire. Bandits will hide behind cover and Skags will rush at you. This means they’re really all robots, but will behave and take damage like the enemy type they are meant to be. They are “Digitally Constructed”, like how loaders and other robots are made at a digistruct station. These enemies consist of Loaders, Skags, Surveyors, Spiderants and Bandits. You can also level up here, by killing the mobs and repeating the quests given by Tannis.įrom level 61-72, it’ll be the same enemies over and over again. There are repeatable quests that come with it, which is to run through and kill everything in the gauntlet. The DLC also includes an area call Digistruct Peak, basically a gauntlet of multiple arenas connected to each other. See them here : ()įour new pearlescent weapons were added as well.
![]() ![]() The tone struck by the book cover’s ambiguity stretches across the novel itself, where occurrences and important details reveal themselves, unfurling slowly but surely across decades. Francis’s suffering, and the many difficult things which happened to him, stretching from childhood to adulthood where he attempts to navigate the world after experiencing the depths of emotional and physical suffering and trauma. This bears striking similarities to the novel itself, where, as a reader, you feel uncertain as to whether you should have the ability to read and experience so much of the protagonist Jude St. In another interview, she again referred to the uncertainty of the image as being what makes it so alluring, the pendulum swinging between ‘ecstasy or agony’ with viewers unclear as to whether they are ‘witnessing or trespassing’. I love the intimacy, the emotion, what looks like anguish. In a Wall Street Journal interview, the author said, ‘I really hung on for the cover. The image by Hujar - who died in 1987, aged 53, 10 months after being diagnosed with AIDS - became a topic of public discussion and discourse upon the release of the novel A Little Life, with author Hanya Yanagihara insisting that the photograph had to be on the cover of the novel. This line between pleasure and pain makes the photograph one you return to time and time again. It’s only when you learn the title of the image, Orgasmic Man (1969), that you learn that the man in the photograph is in sexual ecstasy, and on the verge or process of orgasming. The expression on his face is unclear - at first glance, it looks as if he is in physical pain, or perhaps as if he is about to burst into violent tears. One photograph in the series features a tight crop of the head and shoulders of a man with his eyes scrunched closed, hand resting close by. During a talk at New York’s Kasmin Gallery in 2016, Lebowitz said: ‘I hate having my photo taken, and none of the times that Peter took my picture was it an arduous experience.’Įarlier in the 1960s, in an embrace of visualising eroticism, Hujar embarked on a series of photographs depicting men in various states of sexual release. A year later, he photographed Fran Lebowitz at home, leaning upright in bed with a duvet covering her body bare shoulders exposed. In 1973, Hujar photographed Candy Darling, an actress and Warhol muse, on her deathbed white flowers visible on a tableside close to her. Many are now well-known figures in culture, but at the time many were young and starting out in the city, trying to carve out their careers. By the time of his exchange with Rosenkrantz, Hujar had been taking photographs of friends, lovers and acquaintances for several years, depicting a dazzling constellation of writers, artists, musicians and queer life, predominantly in the Lower East Side in a classic black and white signature style. In portraiture, whether photographic or painted, a connection is often required between artist and subject an intimacy and a feeling that you are both on the same side. Rosenkrantz asks whether they’re suitable for the NYT, and Hujar responds, ‘Probably, but he gave out nothing it was that we didn’t connect.’ The experience was seemingly uncomfortable for both parties, and Hujar notes, in the transcript which eventually becomes a book, Peter Hujar’s Day (2021), that the portraits didn’t turn out the way he wanted them to. Ginsberg had insisted they take photographs next to or in front of ‘burned-out buildings’ and ‘boarded-up windows’ in New York’s Upper East Side. Hujar also recalls Ginsberg’s scepticism or disdain for him by telling Rosenkrantz that he was ‘suspicious and cool to me’, as they embarked on a journey to find a place to shoot Ginsberg’s portrait. He expresses his trepidation about the part of New York Ginsberg lives in, as well as Ginsberg’s apartment, which was ‘the most rundown tenement’. When Hujar arrives, Rosenkrantz asks him to narrate the day’s occurrences while she records the audio and, besides dropping names of peers and friends, such as Susan Sontag and William Burroughs, and chasing money from various magazine commissions, he recounts his experience of taking portraits of Allen Ginsberg for his first New York Times project. ![]() It is simple in intent: she asks her friends to make notes about what had occurred in their day. December 1974: writer Linda Rosenkrantz invites her friend, photographer Peter Hujar, to her apartment to participate in a project. |